Feiyufu (simplified Chinese: 飞鱼服; traditional Chinese: 飛魚服; pinyin: fēiyúfú; lit. Chinese: 飞鱼蟒衣; pinyin: Fēiyú mǎngyī; lit. It is also specific name which generally refers to a robe (generally tieli) decorated with the patterns of flying fish (although the flying fish is not the flying fish defined in the dictionary). Han Chinese clothing which first appeared in the Ming dynasty. The flying fish decoration looks very similar to the python (mang) pattern on the mangfu (Chinese: 蟒服; lit. The feiyufu worn by the Ming dynasty imperial guards reappeared in the 21st century following the hanfu movement and is worn by Hanfu enthusiasts of both genders. The early flying fish ornament were characterized by the presence of double wings while in the middle and late Ming dynasty, the flying fish could only be distinguished from the python pattern by the presence of its fish tail instead of a dragon tail. The feiyufu is typically in the form of tieli (a robe with a y-shaped cross collar, with either broad or narrow sleeves and pleats below the waist) decorated with the feiyu pattern. Despite the repeated prohibition of Mongol-style clothing, especially during the reign of the Hongwu Emperor, some Mongol clothing from the Yuan dynasty remained. After being adopted in the Ming dynasty, the tieli became longer and its overall structure was made closer to the shenyi system in order to integrate Han Chinese rituals. The feiyufu appeared in the Ming dynasty and was unique to the Ming dynasty. The tieli (Chinese: 贴里) originated in the Yuan dynasty in a form of Mongol robe known as terlig. It is a form of tieli decorated with flying fish patterns. Chinese: 蟒服; lit. Under the rule of the Yongle Emperor (r. The feiyfu was also a type of cifu (Chinese: 赐服; lit. In 1447 AD during the reign of the Zhengtong Emperor, the Ministry of Works issued an edict which would put artisans to death and send artisan’s families to frontier garrisons as soldiers should the artisan produce feiyufu among other prohibited clothing for commoners. The edict was issued to stop the transgressing of dress regulations. Emperor Zhengde (r. 1505 – 1521 AD) bestowed a feiyufu to Song Suqing, a Japanese envoy, in an unprecedented act. He also wrote in “the beginnings of the bestowals of dragon robes to Grand Secretaries” that the feiyufu was bestowed to the six ministers, the grand marshals with the mission to inspect troops, and to the eunuchs who were servicing in the houses of princes. Shen Defu (1578 -1642 AD) also noted the emperor would could bestow a red feiyufu to a guard which was promoted to court guard. Harvard Journal of Asiatic Studies. 65 (1): 133-158. doi:10.2307/25066765. Volpp, Sophie (2005). “The Gift of a Python Robe: The Circulation of Objects in “Jin Ping Mei””. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. Zhao, Feng (2015), Lu, Yongxiang (ed.), “Weaving Technology”, A History of Chinese Science and Technology, Berlin, Heidelberg: Springer Berlin Heidelberg, pp. Ding, Ying; Li, Xiaolong (2014). “On the Decoration and Symbolization of Chinese Ancient Official Uniform in Ming and Qing Dynasties”. Vol. 5. Atlantis Press. Proceedings of the 2014 International Conference on Mechatronics, Electronic, Industrial and Control Engineering. Yuan, active Liu. Cambridge, Mass. The right to dress : sumptuary laws in a global perspective, c. 1200-1800. Giorgio Riello, Ulinka Rublack. Burkus, Anne Gail (2010). Through a forest of chancellors : fugitive histories in Liu Yuan’s Lingyan ge, an illustrated book from seventeenth-century Suzhou. Cambridge, United Kingdom. 2019. p. Acta Orientalia Academiae Scientiarum Hungaricae. Cho, Woohyun; Yi, Jaeyoon; Kim, Jinyoung (2015). “The dress of the Mongol Empire: Genealogy and diaspora of theTerlig”. Shea, Eiren L. (2020). Mongol court dress, identity formation, and global exchange. Huang, Ray (1981). 1587, a year of no significance : the Ming dynasty in decline. New York, NY. p. New Haven: Yale University Press. Frontiers of History in China. Yuan, Zujie (2007). “Dressing for power: Rite, costume, pink and blue hanfu and state authority in Ming Dynasty China”. So, Kwan Wai (1975). Japanese piracy in Ming China during the 16th century. Michigan State University Press. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply. This page was last edited on 21 June 2024, at 16:33 (UTC). By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

If you cherished this short article and you would like to receive a lot more data pertaining to chinese traditional hanfu kindly visit our own web site.